![]() ![]() If you are shooting a multi-row image, be sure to do this both vertically and horizontally. One good way to do this is to borrow from the “rule of thirds” and overlap each image by one third of the prior image. The single most critical aspect of shooting for panoramas is to have sufficient overlap between photos and absolutely no gaps. ![]() For example, I once did a panorama handheld in a forest with mediocre results due to the strong parallax between the near and distant trees. Second, if you are in a situation where parallax (the relative movement of foreground objects against background objects) is significant, then a tripod is also key. First, if you wish to take a full spherical image for interactive VR-style use, then a tripod with a good mount is important. While the hardcore will note that a tripod is a requirement (with an offset mount so the point of rotation is at the aperture), good stitching software can handle handheld images just fine. I don’t intend to cover the process of taking images to build a panorama, as Nasim has already done it before. While an increasing number of cameras (particularly smartphones) are offering an in-camera panoramic mode, individual images and good stitching software is essential for high quality images.Ĭrystal Creek Reservoir below Pikes Peak, Colorado. ![]() I enjoy taking panoramic images of landscapes, cityscapes, street art or any other time when the view exceeds the frame. ![]()
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